Fiction
Date Published: 04-17-2025
A week later, as roll call is coming to an end, a woman standing close to Ivy begins coughing and heaves clots of blood that splash onto the white frost at her feet. She is so weak she struggles to stay on her feet. She staggers for a moment and then stumbles forward onto the woman in front of her. The weak, sick woman has no strength left, and falls backwards onto Ivy. Ivy instinctively reaches forward to catch her, but is late in getting to her. The weight of the sick woman falls directly onto Ivy’s left arm. As Ivy catches her, she feels the leather strap snap under the woman’s weight. The prosthesis falls to the ground, making a crunching noise as it hits the frost.
Ivy’s first reaction is to camouflage the prosthesis lying on the ground, and she falls onto it, pulling the woman on top of her. “Karen, help me,” is Ivy’s desperate call. Karen notices the whole event, and reacts quickly by falling on top of the two women. A guard pushes his way past the rest of the women, and storms towards them, “Get up! This is no place to lie down!” The rasping command spreads fear into the three women lying on the frost.
They don’t look at the guard and Karen tries to crawl over Ivy and reach for the prosthesis. However, the guard notices the straps sticking out from under the sick woman’s waist. As Karen picks it up, the guard sticks his huge black military boot out and tramples her fingers into the frost. She screams with pain, but does not let go of the thongs, hoping she can hide the prosthesis and the thongs under Ivy and the sick woman. Karen kicks at the guard’s knee high boots, and he doesn’t feel anything. She is trying to distract his attention and allow Ivy to hide the prosthesis.
“What’s this?” The guard kneels down looking at the thongs, and pulls them towards him. He stands up and holds the prosthesis shoulder high. Bewilderment is the first expression he portrays and then a smirk filters over his face. He looks directly at Ivy who lies on the cold frost. She rolls over face down onto the frost
and starts sobbing, knowing that after all she had been through, she has now been found out. Karen crawls towards her on all fours, leans over her, and tries to console her. “Ivy, we must be strong, they won’t hurt us. Be strong, please.” Karen knows she is talking to herself as well, and that the words are futile. This has to be the end for both women.
“Get up!” shouts the guard as he kicks Ivy and Karen. He leaves the sick woman who is unable to move, blood still pouring out of her mouth as she coughs. “I said get up! Are you also deaf, woman!” The statement cuts into Ivy’s heart like a sharp, piecing hot iron.
Karen is the first one on her feet, and she leans over to help Ivy. The guard reacts with a swift thrust of his right arm against Karen’s back that sends her crashing to the ground. “She can get up on her own! Let’s see her do it.” Turning to Ivy, he shouts hysterically at her, “Get up, woman, or must I shoot you now!” Ivy gets to her knees and falls again. Her strength is sapped by fear and anguish. By now, fear and heartache flood both their hearts. For Ivy, it is all over. Surely they will kill me is all she can think of. Oh, why did this have to happen now? She shakes on her feet as she sobs, cradling the left stump in her right hand. Why God, why? The guard grabs Karen by the neck, and pushes her brutally towards the back of the ranks. “We will teach you to betray the Wehrmacht, slut. There is only one way to teach you a lesson, and everyone else!” By now, the guard is so angry at the fact that a woman has concealed her prosthesis from the army, he is prepared to vent this on Karen.
The matron, who is standing on the platform, doesn’t care what the guard does to Karen. Then she points to Ivy, who is still on her knees trying to get up, and commands another guard in a callous fashion, “Bring me that heap of misery!” Ivy is terrified. Her body shakes as she tries to walk through the prisoners towards the matron. As she reaches the platform, Ivy stands in front of the matron, her head is down looking at the ground because she is unable to face her executioner.
“So, you have been hiding this from us all this time!” The words slam into Ivy’s heart as she stands shaking, knowing that this is to be her impromptu trial. “How long have you been like this?” Ivy cannot bring herself to reply. Through the tears, she looks up at the matron.
The matron struts to her desk and drops into the chair. She pays no attention to Ivy, who stands in front of her shaking. Ivy has no control over her emotions anymore, and the anxiety and terror that encases her heart causes her to soil herself. She stands in front of the matron still holding her left stump in her right hand.
Ivy’s fate is in the hands of this plump round-faced matron who, during the years at the camp, has never showed mercy to anyone. Surely Ivy’s punishment will be worse than Karen’s. Oh, God, please help me, I am this way because of you, please God, please, begs Ivy under her breath as she stands trembling from fear.
“How long have you been like this?” inquires the matron for the second time. Ivy tries to straighten up, and she wipes the tears from off her checks. Then she reaches down to her torn dress, and uses it to wipe her nose. She croaks out the words, “Since birth.”
“Then how in tarnation did you get into this camp, and hide this from us all the time!” The matron explodes in anger and slams her fist on the desk as she speaks at the top of her voice. “Do you know what they do to deformed people in the Third Reich?” The question thunders in Ivy’s ears. She knows all too well what happens to them, and she realizes that this is the eventual road she will have to go once the matron is finished with her.
It is too much for Ivy, and her knees cave in under the mental pressure, and she leans forward to hold onto the desk as the gravity of the situation swoops over her.
“Do you know that I have no choice but to follow orders and shoot you?” The uncouth matron, who shows no pity on Ivy, mouths the death knell. With the emptiness of a hangman, she speaks them to Ivy, as if to say, you are done for. “Please, Matron, please,” says Ivy as she sobs, desperately pleading for her life to be spared. She can get nothing else out. Her throat dries up, and her mind is swimming as the overpowering fear avalanches its way into her heart. She falls to her knees under the strain and pressure and hangs onto the edge of the desk, breaking out into a heart wrenching sob.
“Adjutant, get in here!” shouts the matron. This must be the final decision for Ivy, as she realizes she will now be dragged out to the courtyard and shot in front of the other prisoners. She tries to stand up and face the last few minutes of her life with at least some dignity.
The adjutant walks briskly to the matron’s desk and stands to attention, waiting his instructions. To her amazement Ivy hears the words, “Get me this woman’s file.” The adjutant pulls at Ivy’s right arm, and looks at her number, does an about face, walks out of the office, and returns a few minutes later with a brown manila file.
The matron reaches for the file and casually flips it open. Her eyes fall on a letter addressed to her from Captain Willem Langford in the Textile factory in Berlin where Ivy has worked. A frown creases her brow as she holds the letter towards the light.
The matron drops the letter on her desk and speaks to Ivy in a condescending manner, “You seemed to be of some use to this Captain Langford, what did you get up to there? I suppose you were more than a designer, or do I read this incorrectly?” Ivy is insulted by the remark, and for the first time she stares at the matron, this time in indignation. “I don’t know what you mean. I did what I was told, and that’s all.” She gathers enough courage to make her next point very
clear, “Contrary to your thinking, Captain Langford is an honorable man, and a fine officer. As for me, I’m your prisoner, and have never been abused by him.”
“Captain Langford, this is Matron Von Eck at Ravensbruck Concentration Camp.”
“Yes, Matron, what can I do for you?” Langford is cordial and to the point. “I want you to think back to when you had a prisoner working for you. Her name was Jacobson, she was…”
The matron can say no more as Langford immediately interrupts her. “Yes, I remember her, Matron. She did the Wehrmacht excellent service, even as a prisoner.” There is a moment of silence before Langford speaks again. “Matron, it was the last day she worked for us. The moment I found out she had one hand, I sent her back to you. This was also the day that General Gruber visited the factory, and gave us orders to start a new production line for the next phase for the war. It was when I was discussing the new designs with her that I found out she was deformed.”
Langford uses his superior rank on the matron and reacts to her question, “I wrote to you the day I transferred her back to you. How come you are calling me now about this woman?” The question is direct and places the matron on the defensive.
“Something has come up, and she is involved in it. I needed to get clarification from you.” Her answer is evasive and almost works.
Langford again decides to use his rank, and in an unprecedented manner, commands the matron. “I will need her very soon again. In fact I am looking for workers with such talent right now, and instructing you to do nothing with her. I will contact you within the month, and arrange her transfer back to this factory. Is that understood?”
The matron has no choice but to obey the officer who is much higher in rank than her. She also realizes that there is nothing she can do to Ivy. That is her instruction, and she had better take care of Ivy, or she will be held accountable by her superiors if anything happens to her.
The matron replaces the receiver, scowls as she shuffles the papers back into Ivy’s folder, and bellows, “Jacobson, get back in here, now!”
As Ivy walks back into the office expecting to hear her death sentence, to her amazement, Ivy hears the matron growl at her as she struggles to say, “Return to your barrack. Let me be clear on this, if you ever flaunt your deformity to anyone, or on any guard, I will personally take great delight in punishing you. Do you hear me?”
Ivy does not answer her. She turns around and walks out of the office. As she leaves, she looks up at the sky. It is grey and miserable that morning. But, now there is a ray of sunshine peeping through a gap in the clouds. She takes hold of her left arm and says through the tears of relief, “IYSH”.
About the Author
Greg Price is a writer, human resource expert and an ordained minister. He has traveled extensively throughout the world and shares his experiences by translating them into literary characters who inspire and motivate the reader. Greg immigrated to the United States from south Africa and currently lives with his wife in Mississippi.
